Author: Han Kang
Translator: Deborah Smith
My GoodReads rating: 3 stars
Average GoodReads rating: 3.62 stars
Language scaling: B1/B2+
Plot summary: Horrific nightmares lead Yeong-hye to become a vegetarian. The people around her struggle to understand this decision.
Recommended audience: The relatively short length of the story, as well as the clear language of Smith’s translation, make The Vegetarian a great book for EFL students, but some of the content means it’s best suited for teenage readers and older.
Content warning: Brief scenes of domestic violence and sexual assault.
In-depth thoughts: You might recall that I wrote about The Vegetarian a few posts back; in particular, I was impressed with the story of the English translator. I was lucky enough to get a copy from a friend a couple of weeks, so I sat down to read it right away.
As far as the translation goes, I can only speak to the readability of the English prose. Unlike the hiccups I noticed in The Invoice, The Vegetarian was an effortless read, free of distracting, inconsistent attempts at localization. Admittedly, my own closeness to Swedish may have been what kept me hearing Swedish in The Invoice, but here I could put aside idle thoughts about how a particular phrase or sentence was originally expressed and enjoy the story for what it is.
And what it is is a weird little book. I definitely felt drawn to keep reading and to see how this would all play out, but I don’t know that I enjoyed it. To be more exact: I’m pretty sure I enjoyed it, but I definitely didn’t understand it. But I don’t think I needed to?
The Vegetarian, like so many have pointed out, isn’t really about Yeong-hye becoming a vegetarian. It’s not even about the protagonist at all, which probably makes the appellation of “protagonist” kind of inappropriate. Even though Yeong-hye is the thread that ties all three sections together, we spend most of our time with her husband, her sister, and her brother-in-law (her sister’s husband). Each is the main character of their own section; it is their innermost thoughts and feelings we experience, not Yeong-hye’s. In that way, Yeong-hye is as confusing and impenetrable for the reader as she is for other characters. Becoming a vegetarian is only the beginning of the story for Yeong-hye, and as things escalate you have to wonder: how much of Yeong-hye’s apparent madness was in her all along? How much was the result of her family’s refusal to grant her autonomy?
The Vegetarian was adapted into a 2010 movie of the same name. It’ll be interesting to see how the story turns out on the big screen, and how Lim Woo-seong chose to end it.