The Editor’s Social Network

One of the best aspects of freelancing, and freelance editing in particular, is meeting other word nerds (freelance and otherwise), and the Internet makes that easy to the point of banality.

Photo by Kevin Curtis on Unsplas

Every job I’ve worked on, I’ve of course enjoyed for its own sake. I’m glad to be helping women in their academic fields put forward their best, most polished work; I’m honored that people have trusted me with their life stories; I’ve edited manuscripts that changed how I think about things like art and aesthetics. In a vacuum, these things would be enough to make my heart sing.

But with all of this work comes an added bonus: a reason and an excuse to socialize. Some issues are so thorny or weird or obscure (or imaginary!) that it’s just easier to ask a person than consult a style guide. (This makes a style guide no less indispensable!) And there’s no satisfaction quite like watching your vocabulary or grammar inquiry in a Facebook group explode into a thread with over a hundred comments, as people engage in serious discussions on usage as well as toss jokes and animated GIFs back and forth. Or like using a query about a particular Arabic translation or Roman history terminology as an excuse to make conversation with old friends who are polyglots or classics scholars.

Is there a corollary to this? That a good editor will have a broad network of contacts that represents a diverse, multifaceted cross-section of society? I hesitate to make any proclamations about what makes a good editor from my obscure and humble little corner. But years ago, someone pointed me in the direction of an editor’s group on Facebook, and I’ve found it immeasurably helpful and encouraging. If a baby editor were to ask my advice on the field, it would be this: hang out with other editors. Follow their blogs, drop in on the Twitter chats, join the Facebook groups. Their collective wisdom will improve your editing, and their collective nerdery will make you (finally?) feel at home.

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