This is another book club selection, this time for the feminist science fiction book club based out of Austin. (I guess I’m now an honorary satellite member?)
Author: Kiini Ibura Salaam
My GoodReads rating: 3 stars
Average GoodReads rating: 3.89 stars
Language scaling: C2+
Summary: A collection of short stories in the speculative fiction genre
Content warning: “Rosamojo” includes some scenes of child abuse; the rest of the stories aren’t necessarily traumatic but involve a great deal of sexuality
Recommended audience: Readers looking for #ownvoices works
In-depth thoughts: There were a lot of cool ideas in this book that ended up suffering from overly workshopped, possibly way too abstract writing. (Hence the C2+ language rating.) In a lot of ways it reminds me of Freshwater, but where Emezi takes that abstraction and works with it until you get it, grounding it with concrete language and imagery and deliberate call backs to specific mythology, Salaam just leaves it all out there, confusing and weird in a world that seems to be entirely of her own creation but without any rules or explanation.
The stories are the strongest when Salaam remains more or less in this world: “Marie,” “Rosamojo,” and “Ferret” were probably my favorites, as well as a very short piece about ants whose title I can no longer remember and that no one else seems to mention in their reviews so there it is. A trilogy of short stories focus on moth-like aliens who can take a human form and who harvest nectar from humans, most often by seducing them. The premise is unique enough that it really deserved to be its own book rather than a handful of short stories. And unlike almost everyone else, I didn’t care much for the first story (“Desire”) or the last one (“Pod Rendezvous”). “Desire” is just too distracting, caught up as it is in what is (as far as my Googling can find) a fictional mythology and an unusual-and-completely-unnecessary narrative structure. The same can be said for “K-USH” and “Battle Royale,” though people tend to rave less about those two. (I wonder if people pick up the book, read the first and last story, and then declare that they’ve read the whole book?) “Pod Rendezvous,” like the nectar-gathering moth aliens, had so much in there that it should have been a proper novel rather than an overly long short story. A story should be as long as it needs to be, and “Pod Rendezvous” was definitely the wrong length.
Overall, a disappointing collection. It wasn’t bad, but I made the mistake of going in with impossibly high expectations.